摘要
本文通过对维吾尔族宗教文化历史的简要梳理,指出在其族群内部具有某种类宗教情结,体现为一种对宗教信仰体系本身的亲近与包容。多元的宗教文化不仅是维吾尔族艺术创作发展的背景因素,更是成为其艺术创作内在的推动力,本文具体从维吾尔族艺术创作的基本格局、制作惯例及形式特征方面进行分析。
This paper, through a brief review on the history of Uygur religious culture, suggested that this ethnic group has nurtured some kind of religious complex within itself, which appears as a friendly and tolerant attitude to all religious faith systems. This kind of pluralistic religious culture is not only a background, but also served as an inherent force in the promotion of its literature and art creation. The author tried to analyze its basic framework, pattern of production and shape characters of art creation.
出处
《西北民族研究》
CSSCI
北大核心
2006年第4期8-14,共7页
Journal of Northwestern Ethnic Studies