摘要
美国黑人女小说家托尼.莫里森在其小说《爵士乐》中,通过词汇、语义、语法和书写偏离,以艺术的形式为自己建构了一个自由的深度空间,在不受束缚的自由中突破话语权力的藩篱,表现了自我,彰显了个性。
The artistic charm of literary works lies basically in the deviation of language, through it critics aim to explore the spiritual structure and cultural implications. This paper analyses how the deviation in Morrison＇ s Jazz serves as a free space for her to evince herself and her individuality.
出处
《天津外国语学院学报》
2006年第6期65-70,共6页
Journal Of Tianjin Foreign Studies University
