摘要
以南宁国际民歌艺术节为具体个案,分析当代中国文化格局中民歌与当代大众文化发展的关系,认为在全球化的进程中和条件下,民歌这种农业文明的文化现象通过与都市大众文化以某种方式结合,发展成为一种当代文化景观,其中复杂的价值含义和社会作用值得人们认真研究和思考。
The paper,specifically taking Nanning International Art Festival of Folk Songs as a case,analyses the relationship between folk songs and contemporary mass culture in the mode of contemporary Chinese culture.In the process of globalization,folk song,as a cultural phenomenon of agricultural civilization,has been developing into a contemporary cultscape through its combination with urban mass culture by certain means.The author argues that the complicated value implication and social function of this development are worth our serious study and consideration.
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2006年第6期64-68,共5页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
基金
国家"985工程""汉语言文学与文化认同"哲学社会科学创新基地
关键词
民歌
认同危机
“杂糅化”
审美认同
folk song
identity crisis
diversification
aesthetic identity