从《牡丹亭》看两个“汤显祖”——儒士到名士的心理畸变

To realize two sides of Tangxianzu through Peony Pavilion——To transform Confucian into psychic freeman

《牡丹亭》是汤显祖“临川四梦”中最光彩夺目的一梦。这不仅是杜丽娘的倾情一梦,更是汤显祖人生的至情一梦。透过《牡丹亭》华美的梦帘可以看到才华横溢积极求仕的儒士汤显祖,也可以看到怀才不遇追求“至情”的名士汤显祖。儒与佛道、情与理、出世与入世在汤显祖的心中反复纠缠,文学作品成了他最好的倾诉载体。《牡丹亭》这部经典之作,成书于汤显祖弃官归家当年,因此可以作为解读分析矛盾的汤显祖最好的切入点。

Peony Pavilion is the most splendid one of Tangxianzu＇s four dreams of Linchuan. This is not only the Duliniang＇s deeply dream but also the Tangxianzu＇s deeply dream. Through beautiful Peony Pavilion, we can realize Tan who was wise and addicted in authority and the other who was not lucky but to pursuit for himself. Tang was trouble in sentiment and rationality, Confucianism,and Buddhism, Taoism, entering and retreating. So he could express himself by the literature. Because Peony Pavilion which is classic was finished when Tang had been home. This is the best way by which we can analyse Tang.