汉末魏晋前书法艺术生成论

The Generic Theory of Handwriting Art in the End of the Han Dynasty and Early Jin Dynasty

对汉末魏晋前书法艺术的生成环境作一系统考察,发现从商甲骨文到秦汉隶书,具有无限审美意蕴的各类书法图式均伴随着理性思维的不断成熟和政治、经济、科技的发展以及社会的进步;伴随着社会文化的广泛传播、功能的全面实现和书法艺术本体的逐步觉醒。书法艺术是中华民族文明的重要组成部分,书法艺术观念的生成是民族文化、文明逐步发展进步的结果。正是这一灿烂辉煌的文化文明史,给书法艺术自觉意识的生成提供了丰厚肥沃的土壤,使之能在文明、理性、觉悟的怀抱中诞生其自觉意识的萌芽。

Making a systematic review on the generic environment of handwriting art in the end of the Han Dynasty and early Wei and Jin Dynasties, we can find that all kinds of handwriting schematism with infinite aesthetic connotation from the inscription on bones of the Shang Dynasty and Lishu of the Qin and Han Dynasties were the course of becoming mature with not only the development of politics, economics, science, technology and the progress of the society but also the spreading of social culture, the accomplishment of function and the wakening handwriting itself. The handwriting art is an important part of Chinese civilization, and the generating of handwriting art opinion are the results of the development of Chinese culture and civilization. It is glorious and resplendent history of the culture and civilization that brings rich soil to the generating of handwriting＇s self-consciousness, making the birth of the seeds of self-consciousness.