摘要
楚人的雕刻艺术是在春秋战国时期楚文化沃土中发育、生长起来的艺术样式,是楚人生命观念的外化。从造型和审美的角度分析,大致可以将其归纳为三种类型:其一,具象造型传达写实性审美特征;其二,复合造型表现虚幻性审美特征;其三,抽象造型体现装饰性审美特征。
The carving sculpture of Chu is an artistic form evolved in the fertile cultural soil in the State of Chu in the Spring and Autumn and Warring States Periods, and it is the outward expression of the Chu people＇ s conception about life. From the perspectives of modeling arts and aesthetic characteristics, they can be classified into three categories： concrete modeling that conveys the aesthetic characteristics of realistic nature; complex modeling that conveys the aesthetic feature of illusory nature; abstract modeling that conveys the aesthetic characteristics of decorative nature.
出处
《长江大学学报（社会科学版）》
2006年第5期26-28,36,共4页
Journal of Yangtze University（Social Sciences Edition）
关键词
楚国
雕刻艺术
具象造型
复合造型
抽象造型
审美特征
the State of Chu
carving sculpture
concrete modeling
complex modeling
abstract modeling
aesthetic feature
