摘要
“言意之辨”的产生在于对“意”的理解有偏差,从人类的心灵结构和精神需求看,“意”可区分为感性,知性和志性三个层面,以此为逻辑起点,作家创作中的言意矛盾区分为两种情况:一种是意义大于言词:有限的言词难以表现“意”的丰富性;另一种是言词大于意义:言词以其自身固有的或其本身携带的意义,遮蔽了个体言说的意思,妨碍了思想感情的表达。
The cause of debation between word and intention lies in the deviation in comprehending the intention. The text refers to the construction of soul and the demand of spirit, so the intention is divided into three aspects: perception, rational faculty and will. With the logicality, the text differentiated the contradiction between word and intention into two kinds of situation: one is that the intention is larger than the word, namely the word cant display the plentiful intention; the other is that the word is larger than the intention, this is to say the word obstruct the speaker's intention and hamper the expression of thought with its inherent meaning.
出处
《襄樊学院学报》
2006年第6期67-72,共6页
Journal of Xiangfan University
关键词
作家
言词
意义
矛盾
Writer
Word
Intention contradiction