弗洛伊德精神分析学说对中国现当代文坛的审美折射

The Aesthetic Value of Freud's"Psychoanalytic Criticism"

弗洛伊德精神分析学说主要体现在把人的精神分为“意识”、“前意识”和“无意识”三部分,同时又提出了“本我”、“自我”和“超我”的人格学说。20世纪的中国文艺创作深受弗洛伊德的精神分析学说的影响,力图以自己独特的方式对诸如梦境、性灵、性本能等精神生活现象加以描摹和剖析,借以表现那种超越社会和传统文化束缚下的生命的本能冲动,从而使弗洛伊德的精神分析学说具有隽永的文艺审美批评价值。

Freud＇s theory, ＂psychoanalytic criticism＂ has divided human＇s spirits into three forms： ＂Consciousness＂, ＂Preconscious＂ and ＂Subconscious＂.And he also held the idea that there are three concepts： ＂myself＂,＂self＂and＂supramyself＂in one＂ s character. Deeply influenced by his idea,Chinese literature in the 204 century tries to depict and analyse the cultural life phenomena such as dream,spirits and the sex instinct in order to express the life impulse free from the chain of society and traditional culture,which has entitled his thoughts with higher aesthetic value of writing and appreciation.