主题内容频数相关分析与历代书法理论演替关系研究

Correlation Analysis of Subject Content Frequerce and Research on the Succession Relationships of Past Dynasties Calligraphy Theory

针对古代文献引用方式的特殊性和无法运用常规引文分析及关键词分析方法进行研究的现状,本文以主题内容为检索单元以朝代为时间单元进行频数统计研究,将贯穿中国历代传统书法理论(书论)中的大量自然意象描述主题内容分为21类,并以此为指标进行分朝代统计,进而采用线性回归方法计算不同朝代书论之间的相关性,并以此作为各朝书论之间的传承关系。论文同时利用文史考证材料对所揭示的传承现象进行了分析、验证和阐释。

：Ancient Chinese literature with its variable writing style,terminology, citing format as well as elucidafive model, is a field with difficulty to develop biliometric study. To counter this situation and with case materials of hundreds of ancient Chinese calligraphic aesthetic literatures, a solution based on the statistics of subject contents of natural image descriptions classified into 21 types as indices with time unit of dynasty, a subject content frequency regression analysis was undertaken on the evolution of the Chinese classic calligraphic aesthetics with respect to the field of relationships of succeeding or influence anaong the classics of different dynasties. The result implies that those classics of Southern Dynasty, Wei ＆ Jin Dynasties and Sui ＆ Tang Dynasties are classics of former dynasty with most influence on classics of later dynasties. As for the succeeding of the classics of later dynasties to the ones of former dynasties, classics of those pairs of dynasties are of most obvious ones, i. e., Southern Dynasty to Wei and Jin Dynasties, Sui ＆ Tang Dynasties to Southern Dynasty and Song Dynasty to Sui ＆ Tang Dynasties. Quite many relationships among ancient classics were newly founded, and some of these phenomena can be identified with normal literature text research. Also, the historic status of the calligraphic theory of each dynasty was analyzed in the paper with their relationship to the theories of other dynasties as a whole.