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略论《泼寒胡戏》在唐代的盛衰 被引量:1

On Rise And Fall of Bohanhu Drama in Tang Dynasty
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摘要 《泼寒胡戏》于北周时期自大秦经“丝绸之路”传至中原,本是驱除恶鬼的风俗乐舞,由于其独特的异国韵味及气势庞大的感染力,直至唐朝还盛行不衰。因其内容形式与朝廷提倡的礼仪相悖,被朝廷禁止。但其特有的音乐《苏莫遮》和舞蹈《浑脱》等却得以在民间流传下来,并与中原的不同乐曲和百戏相揉合。 Bohanhu Drama, a conventional musical dance to drive out evil spirit,was Qin to Central China via "the Silk Road". Because of its unique foreign charm and spread from Daimposing appeal, it had still been flourishing in Tang Dynasty. It was forbidden since the content and form were against the etiquette advocated by the imperial government. But its peculiar music Sumozhe and dance Huntuo,etc. were able to handed down various kinds of music and drama. Its music and among the people,and were" crumpled with China's form of dance were even spread into Japan.
作者 万凌艳
机构地区 商洛学院艺术系
出处 《商洛学院学报》 2006年第4期87-89,共3页 Journal of Shangluo University
关键词 《泼寒胡戏》 《浑脱》 《苏莫遮》 风俗乐舞 Bohanhu Drama Huntuo Sumozhe conventional musical dance
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参考文献5

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同被引文献21

  • 1李未醉.张说与泼寒胡戏[J].交响(西安音乐学院学报),2004,23(2):32-35. 被引量:1
  • 2王凤霞.从泼寒胡到苏幕遮——泼寒胡戏在中原地区流变的几个阶段[J].广州大学学报(社会科学版),2005,4(3):11-15. 被引量:4
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