摘要
元代是一个民族融合的特殊时期,民族压迫与民族反抗充斥着整个社会,元代文人处于社会的底层,为了表达他们的愤懑与不满,文人画家们借绘画来宣泄感情,表达主观意趣,他们在时代苦闷"中转向自我反思、自我关照,并加强了对自由的要求、对自然的皈依、对隐逸生活的怀念.秉着这种精神,元代文人画家们在绘画领域反俗尚雅,打破传统束缚,发挥个性自由,开创了中国文人画的一片新天地.
Yuan dynasty is a special period of great mixing of different ethnic groups, in which, the whole society is dominated by national oppression and resistance. Artists at that time, at the low position in the society, used to express their resentment and complaint as well as the subjective interests through painting. Against this backdrop, they came to know the self-thought and self-protection, and had a strong desire for freedom, for dependence to the nature and the seclusion life. In view of this kind of spirit, the artists in Yuan dynasty pursued elegance while against vulgarity. They created a new field of literary painting in Chinese history through breaking the traditional restriction and bringing the individuality freedom into full play.
出处
《昭通师范高等专科学校学报》
2006年第6期35-37,共3页
Journal of Zhaotong Teacher's College
关键词
解构
元代
文人画家
民族
心理
interpretation
Yuan dynasty
literary artists
nation
psychology