摘要
朱立元在文章中提出,中国当代文艺学的建构的核心主题便是马克思主义文艺理论的中国化问题,即是以马克思主义文艺理论与中国当代文艺实践相结合的问题。王振复则从文化传播的视角指出,马克思主义文艺理论的中国化是与“非中国化”、“反中国化”同时发生、同时进行、同时完成的,应当重视与研究这一过程中的当下问题。汪涌豪认为,中国古代文艺理论经过甄别与梳理,完全可以为当代文艺学建构提供丰富的养料,这一工作在马克思主义文艺思想的指导下,将取得有益与有效的成果。
Zhu Liyuan's article puts up that the kernel theme for constructing Chinese contemporary literary and art theory is the Chinese version of Marxist theory of literature and art, i. e. , the combination of Marxist theory of literature and art with contemporary Chinese practice of literature and art. Wang Zhenfu's article points out from the perspective of cultural communication that the Chinese version of Marxist theory of literature and art happens, undergoes and completes at the same time with "non-Chinese version" and "anti-Chinese version". The current issues in this process should be emphasized and studied. Wang Yonghao's article points out that, the ancient Chinese literary and art theory, after examining, can enrich the construction of contemporary literary and art theory. This work will achieve beneficial and effective results under the guidance of Marxist literary and art thought.
出处
《学术月刊》
CSSCI
北大核心
2006年第12期86-88,共3页
Academic Monthly
关键词
文艺学
当代中国
古代文论
theory of literature and art, contemporary China, ancient literary theory