摘要
本文以在日本影响最大的“竹内鲁迅”为中心,讨论日本在传播和研究鲁迅的过程中,是如何对鲁迅进行多重解读,从而不仅将鲁迅定位为中国近代文学的起点,同时也将“鲁迅的问题”,即中国面对世界化和近代化的问题,转化为日本自身“同构”而“异质”的问题进入讨论。
Centred on "Takeuchi Yoshi's re.arch on Lu Xun". the author discusses how to explain the meaning of Lu Xun in multiple ways while spreading and studying his works in Japan. Upon this explain, the Japanese scholars regarded Lu Xun as a sign of the beginning of modern Chinese literature. At the same time, they changed the question that how to face integration and modernization for China into a similar one for Japane people, and had a wide discussion.
出处
《南京师范大学文学院学报》
2006年第4期91-96,共6页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
鲁迅
日本
竹内好
近代文学
Lu Xun, Japan, Takeuchi Yoshi, modern literature