摘要
《野鸭》蕴涵着多重代码,是易卜生的心理戏剧和象征戏剧的肇始,这就使得读者从多角度解读和诠释成为可能。作为悲喜剧,这部作品和俄狄浦斯神话故事有着相同的叙事范式:叙事范式的共同性,故事情节的相似性,人物悲剧命运的相通性。但其不同于俄狄浦斯神话的写作意图,也显示了其对现代主义的建构。
Multi-code is used in The Wilde Duck by Ibsen, which is considered to be the beginning of his psychological and symbolic dramas. It makes it possible to interpreter this work from multi perspective. As a tragic drama, it has the same narrative mode as that of the myth of Oedipus. In this thesis, the deconstruction of traditional social structure and the construction of modernism will be discussed this thesis from the perspective of Northrop Frye's Archetypal Criticism.
出处
《盐城师范学院学报(人文社会科学版)》
2006年第6期29-32,共4页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
关键词
易卜生
《野鸭》
原型批评美学
叙事范式
Henric Ibsen
The Wihle Duck
Archetypal Criticism
narrative mode