摘要
南阳汉画像石《舞乐百戏》很好地使用视觉形象表现了音乐的旋律感;组成整体形象的单位形之间的也榫接巧妙,显得紧凑而又灵动;是用绘画语言来表现音乐的形神契合的典范之作。
The Han Dynasty relief cracking useol ocular figure to behave musical melody affect. Every pair of these appearances which composed integral figure is a perfect pair. Appear compact and etherealize. It' s example paint which use painterly form to behave music.
出处
《南阳师范学院学报》
CAS
2006年第11期90-91,共2页
Journal of Nanyang Normal University
关键词
视觉语言
旋律
榫接
Joptical language
melody
connect rabbet