摘要
中西乐理,尤其是节拍之争由来已久,谁是谁非,只有在实践中才能体现。以此为着眼点,从分析河南板头曲的三弦独奏曲《打秋千》这一实例出发,找出了二者在重音方面的差异。
In Chinese and Western music theory, the dispute on the meter is long -standing. Whose opinion is correct can only be judged by the practice. This paper points out the differences on accent by taking the Henan Sanxuan solo prelude Playing "On a Swing" as an example.
出处
《黄石教育学院学报》
2006年第4期64-66,85,共4页
Journal of Huangshi Education College