摘要
“踏板是钢琴的灵魂”,适宜的踏板运用是一位具有艺术才能和高超理解力的钢琴家的标志。正因为它具有这种特殊的个性和作用,因此,踏板的运用成为一个重要的问题。现代钢琴上有三个踏板:左踏板、中踏板、右踏板(延音踏板),其中延音踏板在钢琴演奏中是运用最多的。本文拟从巴赫、海顿、莫扎特、贝多芬、肖邦、舒曼、李斯特等作家的作品,来探讨使用踏板尤其是延音踏板时应掌握的主要原则。
"The footboard is the soul of the piano". It is the sign of the pianist with the artistic ability and the superb comprehension to use the footboard suitably Just because it has the special distinction and function, the application of the footboard becomes an important problem. There are three pieces of footboard on the modem piano: left footboard, infootboards, right footboard, (tenuto footboards), tenuto footboards is used most during playing the piano tenuto among them. This text will discuss the main principle when the footboards are used, especially the tenuto footboaxd, by the works of Bach, Harden, Mozart, Beethoven, Chopin, Schumanne and Li Site.
出处
《湖南科技学院学报》
2006年第12期183-185,共3页
Journal of Hunan University of Science and Engineering
关键词
钢琴
踏板
教学
Piano
footboard
teaching