摘要
中国式悲剧既受囿于创作主体自身深处民俗心理的控制,又要合乎接受主体的民俗心理与情感逻辑,而这民俗心理就是国人长期积淀的圆崇拜(日、月、女阴、天和天道圆崇拜,循环发展观),乐天、中庸、仁义思想,主生与养生观,现世报、三世轮回报应观、命运信仰等,这些民俗心理是指导民众创作与接受中国式悲剧的准则。
The tragedies of Chinese style were constrained by creative main body and the psychology in folk customs. They should be accepted on the basis of state of psyche and emotional reasons, this mind was the circle worship which people accumulated for a long time (such as the sun, the moon, vulva, day and the sun circle worship, cyclic development view). Such psychology as carefree, the doctrine of the mean, the justice and humanity thought, the host lives with the keeping in good health view, the retribution in this life, three samskara retribution view, the destiny belief and so on became the criteria of instructing the populace to create and accept the tragedies of Chinese style.
出处
《温州师范学院学报》
2006年第6期15-20,共6页
Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)
关键词
民俗心理
团圆
宿命
Psychology in folk customs
Reunion
Fate