摘要
在1940年代,丁玲的作品中对男性表现出肯定与批判的双向深化的倾向。一方面她充分肯定了战争中延安男性的阳刚美,这阳刚美,表现为“义”“力”和“崇高”的结合；另一方面,她也认识到解放区男性头脑中的封建意识仍然根深蒂固,对女性结婚、落后问题、贞节观的看法暴露其观念的滞后,同时也表明当地妇女的地位并不让人满意。
In 1940＇s, Tendency of affirmation and animadversion to male was deepened in Ding Ling＇s works. On the one hand, she affirmed manliness of Yanan male,which was integrated with justice ,power and loftiness ;on the other hand, she realized that feudatorial consciousness was being inveterately in Yanan male＇s brains. Male viewpoints was got behind to female about their marriage .lag issues and chastity. It wasn＇t satisfying with female social status in liberated region.
出处
《德州学院学报》
2006年第6期25-28,共4页
Journal of Dezhou University
关键词
再认识
肯定
批判
男性观
re-cognition
affirmation
animadversion
viewpoint of male
