论苏轼签判凤翔时期的诗歌创作

An Analysis of Sushi's poem when being the Assistant in FengXiang

任职凤翔府签判时期,是苏轼诗歌创作历程中的重要驿站。这一时期,他对各体诗歌皆有尝试,尤以五七言古诗和七律成就较高,叙事、记游、题咏、抒怀是其诗歌表现的主要内容。从艺术成就看,比喻乃至博喻手法的运用、构思上的翻旧出新、以文为诗等,都显得比较圆润成熟,恣肆纵横、舒卷自如的艺术风格也基本形成。凤翔诗作的创作实践表明此一时期苏轼诗歌创作已较为成熟,确立了苏诗的基调。这一局面的出现,与他的心态和眼界的开放阔大,以及创作经验的日臻丰富都密切相关。

Being and assistant in Fengxiang is important stage of Sushi＇ s poem writing. Daring the time, he tried to exercise every types of poem, especially was famous of live - syllable and seven - syllable ancient - style poetry and seven - syllable regulated verse. The main content of his poem was narrate, travel notes, inscription and poured out his heart. He used figure and even many figures, new and ingenious in the plot of poem and used essay＇ s method to write poem etc. All of these revealed that the artistic characteristics of his poem was riper and his artistic style was almost formed. These poems created in Fengxiang laid the foundation for Sushi ＇ s poetic creation. The reason of this situatiou are two aspect, firstly, his miami and view were broad; Seeondly, his experienee of poem creation were more rieh than before.