直喻荒诞悲喜人生——论荒诞派戏剧与众不同的革新与创造

Explain fantastic to like life while being sad directly Fantastic innovation and creation of sending the drama out of the common

在众多的现代主义文学流派中,荒诞派戏剧是影响最大的流派之一。荒诞派戏剧抛开传统戏剧所强调的“启、承、转、合”和引人入胜、曲折动人的戏剧情节,完整的舞台形象及起伏的矛盾冲突,主张通过“直喻”把握世界,提倡“纯粹戏剧性”。本文从采取直喻手法,突现荒诞、抽象的主题;借助舞台形象,传达象征意蕴;运用非理性语言,寻求“语”与“意”的和谐等三个方面评析了荒诞派戏剧独树一帜的成就。同时指出这一流派沿袭20世纪前期现代主义的反传统道路前进,在戏剧领域以“反戏剧”来反对传统的戏剧,用荒诞的形式来表现荒诞的人生,体现出了与众不同的革新面貌,其革新意识和探索精神都值得当代人借鉴。

In the numerous schools of literature of modernism, send the drama to be one of the most influential schools fantastically. Send the drama to cast aside the and fascinating, winding and moving drama plot of ＂ open, bear, transfer fantastically to, shut ＂ that the traditional drama emphasizes, intact stage image and contradiction conflict rising and falling, maintain that holds the world through ＂ explaining directly ＂ , recommend ＂ pure dramaticism ＂. This text appears the fantastic, abstract theme suddenly from adopting and explaining the tactics directly ; Draw support from the image of the stage, transmit the connotation of symbolizing ; Use the unrational language, seek three respects such as the harmony of ＂ language ＂ and ＂ purpose ＂ fantastic achievement that send the drama to take the course of its own of evaluation and analysis. Point out this school was followed the 20th century the confrontational road to previous modernism advanced at the same time, by coming to object to traditional drama ＂ against the drama ＂ in the field of drama, come to behave in fantastic life in fantastic form, embody the innovation appearance out of the common, it improves consciousness and explores spirit is all worth contemporary people drawing lessons from.