摘要
新民歌一方面要吸收传统民歌的艺术营养,保持民歌的乡土性和通俗性特点;另一方面又要体现新的时代特色。这二者是和谐统一的关系。文人创作的字样新民歌目前佳作不多,主要原因是词曲作者对民歌的乡土性和通俗性特点有所忽视。本文通过对具体作品的分析,总结经验,提出新民歌的歌词应反扑归真,从大俗中求大雅,新民歌音乐应在保持民歌宝贵的音乐特色的前提下进行完善和发展,进行改革和创新。
On one hand, the new folk songs need to absorb the traditional folk songs' artistic nutrition. On the other hand, they need to reflect the contemporary features. The relation between these two aspects should be in harmony and united There is a lack of excellent Ziyang new folk songs written by artista The main reason is that the authors of the lyrics and rhythm neglected the rural and popular freatures of folk songs. This article analyzed specific productions, generalized lesson, suggested that new folk songs should regain the plain and authentic features of their root, seeking the ultimate elegance from the ultimate mundane. New folk songs should be improved and developed, be created in a reformatory way, in condition of maintaining the precious folk songs' musical feature.
出处
《安康师专学报》
2006年第6期12-18,共7页
Journal of Ankang Teachers College
基金
安康学院院级科研项目(2003AZXZ2004)
陕西省教育厅专项科研计划项目(06JK147)
关键词
紫阳新民歌
乡土性
通俗性
时代特色
Ziyang folk-songs In new style
Rural
Popularity
Contemporary