摘要
中国历史充满了悲剧,但中国人怕看真正的悲剧,最终都有一个大团圆,以博得情感上的安慰、心理上的满足。所以在中国古代文学作品中,本体意义上的悲剧特别少。产生这种现象的原因是多方面的,甚至可以说是特定文化的产物,有悠久的历史渊源。从上古四则神话中可以看出文化背景、民族性格、审美趣味等文化心理是这种情结生成的主要原因。
The Chinese history has filled the tragedy, but the Chinese feared looks at the true tragedy, Pinaliy all some happy ending, by wins in the emotion the comfort, psychologlcal satisfying. Therefore China ancient times in the literary work, in the literary style significance tragedy specially were few. The reasons of phenomenon is various, even It may is the specific cultural product, has the glorious historical origln. This article by antiquity four then the myth is a foundation, from aspect and so on cultural context, national psychology, esthetic pursue discusses produces this kind of complex the reason.
出处
《安康师专学报》
2006年第6期72-75,共4页
Journal of Ankang Teachers College
关键词
上古神话
喜剧情结
调和持中
大团圆模式
中和之美
Antiquits, myth
Comedy complex
Well distributed holds
Happy ending pattern
Center and beauty