论道家学派的音乐审美意识

The Music aesthetic consciousness about the Taoist theories

道家学派理论面对忧患强调“天人合一”和解脱,因而具有浓郁的审美意识倾向。道家学派对“道”的体认也体现在对音乐本质的理解上。审美主体伴随着质态不尽相同的音乐过程,依次连缀形成“有声之乐”、“无怠之声”和“天乐”这三个层面的心理过程流时,这样的音乐才是老子所谓的“大音”,才是道家学派理想中的音乐。

Because the Taeist theories emphasizes ＂ nature and man to unite as one＂ and extrication when it faces the disaster, it has a full - bodied tendency of aesthetic consciousness . The cognition about the Taeist includes also the cognition of essence on music. There are three hierarchies of mentality ＂the music with sound＂, ＂the music without sound＂, ＂the music of nature＂ when somebody enjoys music. So music will be good music which Laozi said, it is really perfect music which the Taeist theories advocates.