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清代文论对“韵”范畴的阐说

Explanation of "Yun"(Rhyme) In the Literary Theory of the Qing Dynasty
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摘要 清代文论对“韵”范畴的阐说,主要体现在两大领域:一是诗论中对“韵”范畴的阐说;二是词论中对“韵”范畴的阐说。其内容,主要表现在三个维面:一是对“韵”作为文学审美之本的标树,二是对“韵”审美特征的探讨,三是对“韵”的创造与生成的考察。清代文论对“韵”范畴的阐说,为我们今天更好地把握“韵”的审美范畴提供了平台。 The explanation of the category of "Yun"(rhyme) in the literary theory of the Qing Dynasty was mainly embodied in two fields: the explanation of the poetry theory and of the Ci- theory, its contents-were mainly embodied in three aspects: praising it as the poetry aesthetic root, probing its aesthetic characteristic, inspecting its creating and producing. The explaining of "Yun" in the literary theory of the Qing Dynasty provides a platform for us in understanding the aesthetic category of "Yun".
作者 胡建次
机构地区 南昌大学中文系
出处 《佛山科学技术学院学报(社会科学版)》 2006年第6期1-5,共5页 Journal of Foshan University(Social Science Edition)
关键词 清代文论 “韵”范畴 维面 阐说 the literary theory in the Qing Dynasty category of "Yun" aspect explanation
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参考文献1

  • 1查清华等编撰,陈伯海.历代唐诗论评选[M]河北大学出版社,2003.

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