摘要
清代文论对“韵”范畴的阐说,主要体现在两大领域:一是诗论中对“韵”范畴的阐说;二是词论中对“韵”范畴的阐说。其内容,主要表现在三个维面:一是对“韵”作为文学审美之本的标树,二是对“韵”审美特征的探讨,三是对“韵”的创造与生成的考察。清代文论对“韵”范畴的阐说,为我们今天更好地把握“韵”的审美范畴提供了平台。
The explanation of the category of "Yun"(rhyme) in the literary theory of the Qing Dynasty was mainly embodied in two fields: the explanation of the poetry theory and of the Ci- theory, its contents-were mainly embodied in three aspects: praising it as the poetry aesthetic root, probing its aesthetic characteristic, inspecting its creating and producing. The explaining of "Yun" in the literary theory of the Qing Dynasty provides a platform for us in understanding the aesthetic category of "Yun".
关键词
清代文论
“韵”范畴
维面
阐说
the literary theory in the Qing Dynasty
category of "Yun"
aspect
explanation