趋异时代报告文学的文体位移——关于“中心/边缘”论的辩证省思

Style Displacement of Reportage in Diversity-oriented Age——Dialectical Reflection on "Centralization & Marginalization"

我们已经走进了以利益分配的多极性、文化观念的多元性、价值选择的多样性和媒体运作的网络性为基本特征的趋异时代。在文学艺术整体性地被边缘化的趋势中,报告文学文体也不可避免地出现了位移。从宏观的文体生态层面考察,报告文学既没有占据中心位置,也不可能被挤向文体和文化的边缘。辩证地说,报告文学的创作主体、作品本体和读者主体在趋异时代的位移表现及其原因都是复杂的,需要具体分析。从发展的眼光来看,我们确有必要以平和的心态认真审视“边缘”思维的创新价值,以“文学性”建构为新的出发点,稳步确立最终迈向“中心”的信心和能力。

We are now in a diversity-oriented age with the characteristics such as unevenness of benefit distribution, variance of cultural notions, difference of values and wide-spreading of Internet-based mass media. Faced with the integral marginalization of literature, style displacement of reportage has unavoidably occurred. From the macro perspective of style ecology, reportage does not occupy the center, nor will reportage be pushed to the margin. To be dialectical, we should make concrete analyses of the displacement of reportage in terms of its authors, texts, and readers, because the reasons for displacement are complicated in the diversity-oriented age. From the perspective of development, we should be calm in judging the creativity of 'marginalization' theory, and be confident to arrive at the 'center' with the pursuit of literature value as the completely new starting point.