“大视觉”中的影像世界——陈逸飞电影论

The Image World of " Great Vision" :Chen Yifei's Film Theory

陈逸飞的电影创作是在其“大视觉”艺术理念的统领之下进行的。对视觉画面的偏执使陈氏电影产生了“诗化电影”的倾向;具有东方主义风格的影像符号为陈氏电影营造出一种无法摆脱的后殖民记忆误区;力求实现文化与商业的完美结合,使陈氏电影体现出后现代消费主义的美学内涵。

Chen Yifei produces fdrns under the guidance of the theory of＂ Great Vision＂, making them characterized by the artistic style of poetic film. Resorting to Orientalism style of art creation, Chen deliberately creates a space of post - colonialism in films. Chen＇s ideal of perfect combination of culture and commerce has offered his films an aesthetic connotation of post -consumption culture.