摘要
丁玲身兼作家和编辑两种身份,在她主编《解放日报》文艺栏时,延安的文艺空气还比较轻松,她的创作活动和编辑活动构成某种程度的互文性,从这个角度考察,可以发现其编辑活动中存在着编辑主体的启蒙立场;另外,这一编辑活动又要基于现实状况,并在与延安主流意识形态、作为受众的读者的交往实践中进行,从而使丁玲表现出对革命话语的认同。因此,丁玲在《解放日报》文艺栏的编辑活动显示出“启蒙”与“革命”两种话语的共同作用,折射出20世纪中国知识分子精神体验和文化选择的复杂性。
Ding Ling worked both as a writer and an editor. When she edited literary supplement of Jiefang Daily,the literary atmosphere in Yan'an was comparatively free. To some extent, intertextuality is involved in Ding Ling's writing and editing activities. From this perspective, it could be found out that the enlightenment standpoint of the editing subject existed in the editing activity, which was based on the actual situation and was combined with the main ideology of Yan'an , implementing by the readers in their communicative practice. This was embodied in Ding Ling's recognition of revolution discourse. Therefore, her editing activities indicated the interaction between enlightenment discourse and revolution discourse, reflecting the complexity of Chinese intellectuals’ spiritual experience and cultural choice.
出处
《河海大学学报(哲学社会科学版)》
2006年第4期44-46,共3页
Journal of Hohai University:Philosophy and Social Sciences
关键词
丁玲
《解放日报》
文艺栏
编辑实践
启蒙话语
革命话语
Ding Ling
literary supplement of Jiefang Daily
editing practice
enlightenment discourse
revolution discourse