摘要
马头琴协奏曲《归》的创作,是对民族音乐素材使用、乐曲技法整合、民族乐器交响化的探索创新,从中总结出民族器乐结构应为所表达的内容服务,民族器乐作品更应该表现恢宏的题材,关注、发掘、深入到人性之魂灵之中。
The creation of the concerto "Returning back" performed by horse - head musical instrument has made exploration of the use of national music fodder, the conformity of music techniques, and the symphonization, summarized that the structure of the of the national instrumental music should serve the content. The pieces of national instrumental music should manifest grand theme, and pay attention to, dig and and get deep into the soul of human being.
出处
《内蒙古大学艺术学院学报》
2006年第4期51-61,共11页
Journal of Art College of Inner Mongolia University
关键词
马头琴协奏曲
《归》
高山族音乐
民族交响化
horse - head musical instrument concerto
"Returning back"
music of Gaoshan people
national symphonization