摘要
茅盾文学奖(文学评奖)与获奖作品之间的关系并非简单的价值生产关系,而是受到茅盾文学奖(文学评奖)在文学场域中的位置以及位置与不同历史阶段文学场域之间张力关系的影响和制约。因此,革命历史题材作品、古代历史题材作品、现实题材作品在历届茅盾文学奖获奖作品中所占的比例有很大变化,这与随着市场经济的发展,文学场自主性在增强、读者对文学场有效介入,以及茅盾文学奖在文学场域中位置的不断变化紧密相关。
The relationship between Mao Dun Prize for literature and the awarded works is not simply the value production relation but restricted by the position of Mao Dun Prize in the field of literature and the tension between its position and literary field in different periods. Therefore, it is not surprising to find the change of ratio of the revolutionary historical works, the ancient historical works and realistic works in the awarded works. This phenomenon is closely related to the development of market economy, the increasing independence of the literary field, the intervention of readers and the position of Mao Dun Prize in the literary field.
出处
《廊坊师范学院学报》
2007年第1期11-15,共5页
Journal of Langfang Teachers College
关键词
茅盾文学奖
历史题材
文学场
Mao Dun Prize for literature
historical works
literary field