从《王西厢》到《金批西厢》——分析金圣叹戏曲理论之“立言之体”

From Wang's Xi Xiang to Jin's Comments of Xi Xiang——Analysing the Standard of Appropriating Character's Language of Jin Shengtan's Drama Theory

金圣叹“以文律曲”批评《西厢记》,使得《金批西厢》达到前所未有的境界,其批本目的就是“教天下以慎诸因缘也”和“教天下以立言之体”,就《金批西厢》和《王西厢》的异同,来看金圣叹戏曲理论中的“立言之体”,尤其是偏重于分析《借厢》一出的人物形象,从而去体验金批本中人物的一言一行与金圣叹“立言之体”的文学主张。

Jin Shengtan commented Xi Xiang Ji basing on his view of using literary composition to rule drama, then making his comments an ambit that no one ever arrived at before. The intention of his comments was to persuade all to be cautious of karma, as well as to remind all of the standard of appropriating character＇s language. The author is writing mainly to estimate the standard of appropriating character＇s language of Jin Shengtan＇s drama theory, concerning the differences and similarities between Wang＇s Xi Xiang and Jing＇s Comments ofXi Xiang, and especially paying more attention to analyzing the characters of the unit asking for chamber, accordingly, to experience the actions and speeches of the characters in Jing＇s comments, together with his literature opinion of the standard of appropriating character＇s language.