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从谢灵运到王维——山水诗融入情韵与理趣的逻辑进路 被引量:1

From Xie Lingyun to Wangwei——The Logical Admission Passage of Sentiment Rhyme and Principle Interest Melt into the Scenery Poem
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摘要 如何处理山水诗中情韵、理趣和山水景物的关系是山水诗演变的关键课题,是山水自然审美意识的是否成熟的标志。作为山水诗的开拓者和集大成者,谢灵运和王维搭建了山水诗艺术的整体框架和格局,完成了山水诗从产生到成熟的演进历程,展现了山水诗融入情韵与理趣的逻辑进路。这是对魏晋以来的山水诗传统的关键课题的辨证解决,即以一种最坦然的风度体现了曲尽物态与妙写心境兼得而美的诗学美学目的。 How to cope with the sentiment rhyme, principle interest and the mountains and waters in the scenery poem is the essential topic in the scenery poem' s evolution and is the symbol whether the scenery nature esthetic consciousness is mature. As the author who created the scenery poem Wang Wei built the art of scenery poem' s frame and the pattern, and got the highest achievement, Xie Lingyun and completed the course of the scenery poem evoluting from created to mature and unfolded the logical admission passage of sentiment rhyme and principle interest melt into the scenery poem. This has been to Wei Jin's scenery poem tradition essential topic dialectical solution, namely, achieving the esthetic goal to manifeste the matter' s complete state and expresse the true feelings by one kind of most confident demeanor wondfully.
作者 麻相漫
出处 《河北理工大学学报(社会科学版)》 2007年第1期181-185,共5页 Journal of Hebei Polytechnic University:Social Science Edition
关键词 山水诗 情韵 理趣 谢灵运 scenery poem sentiment rhyme principle interest Xie Lingyun
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  • 1[2]陆侃如,牟世金.文心雕龙译注[M].齐鲁书社,1990.
  • 2孙昌开.六朝僧人的文学成就[J].佛学研究中心学报,2002,(7):238.
  • 3[4][5][6]老耳.老子[M].北京:燕山出版社,1995.

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