关于《伤逝》中子君形象的探讨

On the Image of in Zijun the "Past"

在《伤逝》这一爱情悲剧的叙述中,涓生带有明显的男性中心主义色彩,他用传统赋予的话语霸权遮蔽着另一主人公子君的言说,为了还原这个爱情悲剧的实际形态,必须拨开涓生文本中叙述和抒情的迷雾,走进子君真实的内心世界,并回到历史的现场,探寻《伤逝》爱情悲剧的真正根源。

In the ＂Past＂ this tragic love narrative, Juansheng obviously a male color, using traditional verbal hegemony to shelter another heroine Zijun＇ s statement, in order to reinstate the tragic love of the actual form we must sweep away Juansheng＇ s text narrative and lyrical fog, walk into Zijun＇ s real inner world, and go back to the history of the scene and search for the real source of ＂Past＂ tragic love.＂