摘要
文章以中国数字媒体艺术的发展为切入点,论述影视作品关键是作品的思想,而不是技术运用的好坏,对于艺术作品来说,思想是作品的灵魂,而对于电影作品来说剧本就是其生命。从剧作分析角度例举电影《秋菊打官司》作品中的剧本创作、主题内涵、风格特色、题材选择。解释如何更好运用电影中的蒙太奇、平行蒙太奇和其他电影语言。阐述艺术作品的表现形态及意识形态是艺术作品成功的重要前提条件。
The present paper takes the development of Chinese digital media art as cut-in point, and further states that the key of movie productions is not the employment of technique, but the idea of works, because the idea is the soul of work for art productions, as well as the script is the life thereof for film products. Script writing, the meaning of the subject, the special style and subject matter selections from the movie "QiuJu' s ease "are introduced as examples on the angle of script analysis. This paper explains how to employ the montage, parallel montage and other movie languages better. In the end, this article sets forth that the important presuppositions of successful art works is the behavior and ideology thereof.
出处
《东华理工学院学报(社会科学版)》
2006年第4期400-402,共3页
Journal of East China Institute of Technology