江西宜黄戏曲音乐特点分析与研究

The Analysis and Research On Yihuang Operatic Music in Jiangxi

明清两代在江西形成的戏曲声腔,除去早先的弋阳腔,还有后起的宜黄腔也是负有盛名的。清代乾隆间,这种宜黄腔,在北京能与著名的弋阳腔、秦腔并肩媲美[1]。因此,宜黄腔流传之广,影响之深,对于探索“二黄”声腔起源、发展有着极其重要的意义。宜黄戏音乐风格独特,音乐形态古老,因此对传统的宜黄戏曲音乐特色进行深入的探析,把宜黄戏中的唱腔、曲牌、打击乐,分别进行调式特点的分析、比较,对于研究传统戏种,发展戏曲艺术具有一定的现实意义。

The formation of the Ming and Qing dynasties in Jiangxi opera tune starts earlier Yi-yang, there is also a great reputation in the emerging Yihuang cavity. In the years of Qianlong of Qing Dynasty, such Yihuang cavity, with the famous Yiyangqiang in Beijing, Shaanxi opera matched very well. Therefore, the broad spread of Yihuang cavity, its deep impact, to prlbe into＂ the two yellows＇＂ tune origin and development are extremely important. Yihuang opera music and unique style the oldest form of music, so the deep analysis of the music characteristics of traditional yihuang operatic music and the analysis and comparison of the mode characteristics of the voacals, the mumber of tunes and the dercussion have certain practical significance.