摘要
奥斯丁在《理智与情感》中沿用了18世纪流行的二元对立的“小说情节图式”,但又有所创新,使笔下的女主人翁突破了流行模式的束缚,从对立走向了和谐,完整体现了作者意欲表达的爱情———婚姻观,也塑造出了饱满、真实的人物形象,完成了类型人物向典型形象的演化,达到了艺术与思想的高度和谐。
Although adopting the binary - opposed plot schema flourishing in the 18th century, Jane Austen makes her heroines break through the trammels of that schema, progress from opposition to harmony, whereby she succeeds in reflecting completely her ideas on love and marriage, portraying genuine and well - wrought characters, finishing the transition from type characters to typical characters, and reaching the summit of artistic harmony.
出处
《怀化学院学报》
2006年第10期116-119,共4页
Journal of Huaihua University
基金
四川外语学院资助项目"‘英国小说之母’:简.奥斯丁小说艺术论"系列论文之一。
关键词
奥斯丁
对立
和谐
人物塑造
Austen
Sense and Sensibility
characterization
opposition
harmony
