混合与预制——与电子音乐有关的一些问题并兼及刘健的电子音乐创作

Mixed With Prepared:Several Issues on Electronic Music and Liu Jian's Composition of Electronic Music

文章以电子音乐发生发展的历史进程为基本比照和出发点,回顾、分析、思考和讨论了与之相关的某些历史、现象、问题及其中的代表人物和经典作品,指出与“音响型”电子音乐相应的“混合型”电子音乐,既已成为电子音乐“作品”创作中的主流,也成为能和“后现代主义”思潮相应的一种表现形式;同时指出那种周到而严密的整体性“预制”构思,是电子音乐与传统音乐创作完全相同甚至在某些方面要求更高的必要前提;最后指出尽快建立建设与传统音乐作品分析和作曲技术理论相配套的电子音乐作品分析和作曲技术理论体系,有效解决好电子音乐作品中的音乐性、适时性并保持真实表演声部的中心地位等,是当前电子音乐创作、研究、教学和传播都共同面临的紧迫性问题。文章还兼及论述了武汉音乐学院作曲系教授、作曲家、中国大陆第一代音响导演刘健和他的混合型电子音乐作品。

The paper reviewed the occurring and evolution of the electronic music, discussed some issues on its history, phenomenon, problems, and analyses its representative composers with their classics. Relative to the acoustics type of electronic music, the writer pointed out that the mix type of electronic music has been a mainstream of the electronic work composition, as well as a representation modality according to the thoughts of post modernism. The write also proposed his idea that the design of whole preparation with circumspect and precise was the completed sameness with the traditional music composition, and he suggested that to set up a system of both analysis and composition theory match to the traditional ones. To figured out the quality of melodious and timing in electronic music creation was an urgent issue for the electronic music creation, research, teaching. The article discussed Liu Jian with his mix type of electronic music works. Liu is the composer and professor of Wuhan Conservatory of Music, the first generation of Music Engineer in mainland of China.