摘要
该文通过不同身份主体针对不同主题进行发言,内容涉及:音乐美学、音乐人类学、音乐文化、音乐学学科建设、音乐批评、职业操守等问题。认为应该选择合式力场进行合式表述。也就是在主体与对象相合,以及相关主体和对象各自与其所处历史相合的条件下,并通过一个特定作用力成就起来的一个场域,以其本身具有的结构意义去进行表述。
Based on the statements about different questions from different subjects, this article will discuss some issues on Aesthetics of Music, Ethnomusicology, Culture of music, the Discipline Construction of Musicology, Musical Criticism and Professional integrity, etc.. The author points out that one should present itself in a force-field. It means that when the subjects combine with the objects, and each of them combine with the history, they can form a force-field through a special force, and one should present itself in the significance of a certain structure.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2007年第1期171-179,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
上海市第二期重点学科"音乐文化史"特色学科建设项目
编号T0701
关键词
合武力场
合式表述
force-field, complex presentation