论一种艺术观念和风格的形成——黄格胜山水画及其创作经验

About the Forming of an Art Concept and Style

本文提出对中国传统书画的评论应该在传统直觉理论的基础上,借助西方的思辨性的理论形态,从哲学、美学、艺术理论的多学科角度,形成一套规范性的操作语言,特别要运用科学发展观和当代思维的最高成就的系统科学的方法,去认识艺术的复杂现象,去把握艺术的文化走向,并对艺术家的风格创新作出实事求是的评价,从而引领艺术的时代风尚。在这样的思想指导下,本文通过对黄格胜山水画及其创作经验的具体评析,认为黄格胜的绘画风格是以桂林特有的自然山水和村寨为题材,沿着世界艺术发展的历史走势,坚持国画的伟大传统,大量融进其他艺术类型的形式要素,构建新的艺术形式语言,与人类内心回归自然,寻找家园的最深沉的渴望相契合。

The thesis bnngs forward that the comment of traditional Chinese painting and calligraphy should form a set of formulated operating language with the traditional instltutive theory as the foundation and the assistance of the westem dialectic theory, from the multi-disciplinary perspective arts concept, styles, Huang Gesheng＇s landscape paintings, formulation, scientific outlook of development of philosophy, esthetics and art theory, especially with the method of scientific outlook of development and the scientific method of most successful contemporary thinking so as to identify the complex phenomenon of arts, understand the trend of cultural development and make appropriate comment on the new style, playing a leading role in arts trends. With this thinking as guiding, the thesis comes to a conclusion with the analysis of Huang Gesheng＇s landscape painting and his creation experience, that mainly about natural landscapes and countryside of Guilin, Huang＇s style follows the historical trend of wodd arts development, sticks to the great tradition of Chinese painting, integrated with basic elements of other arts forms, creates new arts language and corresponds with the people＇s desire of retuming to nature and looking for homes.