摘要
阿什贝利是美国后现代诗歌“纽约派”的代表人物,他的诗歌将诸多后现代元素加以混合,力求探寻诗歌写作的本质。通过研究阿什贝利诗歌中的互文性,戏仿,并通过游戏式阅读对其诗歌进行超文本解读可以发现:在阿什贝利的诗歌中,真正的意义迷失于词语的“无限”能指中,只有在后现代多语境的重叠下即超文本解读中,通过对传统诗歌文本的转化和吸收来进行比较,才能理解阿什贝利诗歌的真正意义。
John Ashbery is the representative poet of American New York School which is a branch of the post-modernist poetry. In his poems, various post-modernistic factors are mixed together, by which Ashbery tries to excavate the essence of the poetic writing. This thesis focuses on the intertexuality, parody, and amused reading in Ashbery' s poems; makes super-text analysis and finally discovers that in Ashbery' s poems, the real meaning is lost in the infinite signifiers. Only by the absorption of and the comparison with the traditional poetry, can the real meaning of Ashbery' s poems be discovered.
出处
《江汉大学学报(人文科学版)》
2006年第6期19-21,共3页
Journal of Wuhan Institute of Education