钢琴音响结构之分析——三律并存方式

Analysis of Piano’s Sound Structure:The Way the Three Tone Systems Juxtapose

本文是对钢琴艺术音响进行深层系统的数理审美之探求,全面揭示钢琴丰富的音律蕴涵,即钢琴并非是单一的十二平均律乐器,其音响纵横结构是以十二平均律为基本框架,兼有纯律、五度相生律元素在内的“三律”乐器。

The essay tackles the piano sound on a deeper level, systematically, mathematically and aesthetically, with an attempt, by revealing piano's abundant connotations in its temperament, to prove that the piano is an instrument, not with the equal temperament alone, but with three tone systems, i.e. the equal temperament as the basic framework, plus the just intonation and the fifth cycle temperament.