摘要
就在2006年临近尾声的，作为莫扎特最后也是最受欢迎的歌剧《魔笛》分别在广州和上海上演。其实早在2006年6月，这个班底就与中国爱乐乐团联袂在北京中山音乐堂推出过这个制人和版本，当纪念莫扎特诞辰250周年这个全球性的活动即将结束的时候，中央音乐学院版《魔笛》席卷广州和上海，但得到的评价却是截然不同的。
To commemorate the 250th anniversary of the birth of Mozart,the Guangzhou Symphony Or-chestra presented its 2006-07 season highlight with a performance of Magic Flute on November 24,2006 at its home,the Xinghai Concert Hall.A week later,this production traveled to the Shanghai Oriental Performing Arts Centre Directed by ltaly＇s Francesco Stochino Weiss and conducted by China＇s young and promising Zhang Jiemin,this Magic Flute featured young singers from the opera department of the Central Conservatory.While the Guangzhou performance was accompanied by the Guangzhou Symphony,the Shanghai performance featured the Shanghai SymphonyCritical response to the two performances was diametrically opposite：in Guangzhou the performance was seemingly well-received;in Shanghai,however,audience response was extremely critical and negative.
出处
《歌剧》
2007年第1期6-6,共1页
Opera
