隐藏着的“有机性”——解读卡洛·斯卡帕的历史性建筑改造观被引量：7

The Hidden "Organic Characteristics" -Interpretation of Carlo Scarpa's Philosophy in the Renovation of Historic Buildings

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摘要卡洛·斯卡帕在历史性建筑改造中强调历史层次的透明性,新加元素与旧有体量在视觉上的可辨性,以及两者结合后的整体统一性。本文通过分析斯卡帕的改造作品及秩序重组的策略,从“有机性”的角度深刻地剖析了其历史性建筑改造观。有机性改造包含两个层面的内容:其一为改造过程的有机性;其二为改造结果的有机性。 According to the philosophy of Carlo Scarpo, he emphasizes the clarity on the history layers, the visual identity of new added elements and original volume, and the utility of the combination. Based on the analysis of Carlo Scarpa＇s renovation works and his strategies of order reorganization, this paper deeply interprets Carlo Scarpa＇s philosophy in the renovation of historic buildings through organic approach. The organic renovation comprises two parts： the organic characteristics during the renovation process, and the organic characteristics in the final results.

作者赵琴昌张颀

机构地区天津大学建筑学院

出处《华中建筑》 2006年第12期19-24,共6页 Huazhong Architecture

关键词卡洛·斯卡帕改造历史层次秩序有机性 Carlo Scarpa,Renovation, History Layers, Order,Organic

分类号 TU-86 [艺术—艺术设计]

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参考文献6

1Sergio Los,《Carlo.Scarpa-an architectural guide》,p54 ‘With selective digs and creative demolitions,Scarpa attempted to isolate and uncover the various eras of construction so as to make the building itself one giant artifact……More than a theory of restoration,he was interested in historical clarity,so that history might become recognizable through the orderly coexistence of the various fragments.'
2Sergio Los,《Carlo.Scarpa-an architectural guide》,p38 "In the fa?ade,Scarpa placed window frames behind the arcade,on a different plane from that described by their arabesque motifs,lest the frames interfere with the arabesques.This simple necessity to respect the old structure and to preserve its design led Scarpa to the technique of separating the plane of the opening from the plane of the casement."
3吴铁流.欧行漫记（十一）—触摸斯卡帕[J].建筑技术及设计,2003(2):106-109. 被引量：3
4Sergio Los,《An architecture guide》,p9 ‘The distinctive qualities of the architecture become a cognitive tool,used to understand and to help to understand the sculptures of Canova,……',p10‘The felicitous approach that Scarpa has taken with respect to those sculptures has been that of sharing his experience with the visitor…….
5陆地.建筑的生与死-历史性建筑再利用研究[M].南京:东南大学出版社,2004..
6布鲁诺·塞维,"第一部分第三条:反古典的三维透视法",《现代建筑语言》,席云平,王虹译,中国建筑工业出版社,1986-03,p27.