摘要
文章从藏传佛教建筑使用的陶质饰件的分类出发,探讨了这些陶质饰件的起源、特点和发展。指出由原先的陶质饰件装饰的寺院屋顶以及土石结构灵塔过渡到金银灵塔,既是由于民间陶质陶艺绝技,也是藏民族特有的价值观、审美标准和丰富的想象力发展到顶峰的结果。
The article proceeds from the classification of the pottery used in the Tibetan Buddhist arehitecture, and then probes into the origin, characteristics and development of the pottery. It is pointed out that the passage from using pottery to decorate the roofs of temples and building funeral stupas with soil and stone to building gold and silver stupas owes to the traditional pottery making skills. It is also the evidence of that the Tibetan typical values, their aesthetic standards and their rich imagination have reached a grand climax.
