摘要
本文以莫高窟第249窟窟顶西坡壁画为中心,在图像志描述的基础上对其造型方式进行了个案研究。笔者认为它与西方古典主义绘画相比分属不同的造型体系,与西方现代主义绘画相比又有着某些共同之处。
Based on the description of ieonography, the article makes a ease study on the mold-making of murals painted on the ceiling of cave No. 249 in Dunhuang eaves. It's argued that it belongs to a different kind of mold-making system compared with western classical painting. However, it has something in common with western painting of modernism.
出处
《甘肃联合大学学报(社会科学版)》
2007年第1期47-49,共3页
Journal of Gansu Lianhe University:Social Sciences
关键词
敦煌壁画
第249窟
造型
Dunhuang murals
cave No. 249
mold-making