摘要
本文认为,李小龙的身体是一种跨区(国)的身躯,由李小龙在美国和香港的个人经历以及各种跨区(国)市场对李小龙电影的具体接受情况所共同塑造。李小龙将自己的身体作为赢得国家之间和种族之间斗争的武器进行展示,在很大程度上被认为是中国、亚洲或者第三世界受压迫者的胜利;李小龙的身体展示也已经被放在不同的男性气质模式和不同的理想化的身体理念中进行理解,李小龙在由美国现代性所主导的跨区(国)体系和后殖民体系中对华人男性气质的改造,揭示了他作为中国男性气质的典范在获得成功时所付出的特殊代价;现在,李小龙的身体展示还引出了酷儿式的解读,这种酷儿式的解读已经和理解李小龙身体的其他方式和途径交织起来,有时则被女性主义或者支持同性恋的目标所利用。
This paper holds that Li Xiaolong’s body is one of the trans-regional and the transnational, created by his personal experiences in the USA and Hong Kong and the actual acceptance of his movies at different trans-regional and transnational markets. Li Xiaolong demonstrated his body as a weapon to win the struggle between nations and races, the victories of which were to a great extent regarded as the victories of China, Asia or the Third World as the oppressed. This demonstration has already been understood against different modes of masculinity and different idealizations of body. His transformation of the Chinese masculinity through American modernity in the trans-regional, transnational and postcolonial systems revealed the special prices that he had paid when he succeeded as a representative of the Chinese masculinity. Now, Li’s body is even studied with the approaches of Queer Theory, which have been interwoven with other ways and approaches and sometimes used by feminists and homophiles.
出处
《文艺研究》
CSSCI
北大核心
2007年第1期94-104,共11页
Literature & Art Studies
