从《洛神赋》到《洛神赋图》的审美转化

The Aesthetic Shift from Ode on Goddess Luo to Painting of Ode on Goddess Luo

魏晋时期,洛神一度成为各类艺术争相描摹的女神形象,以之为审美对象的各类艺术作品中,《洛神赋》和《洛神赋图》则是其中的两大杰作。文章试图从审美理念、审美视角、审美体验与审美表现手法四个方面探究《洛神赋》和以之为脚本的《洛神赋图》之间的审美递变关系。

In the period of Wei and Jin Dynasties, the Goddess Luo became an image of goddess that fascinated a variety of artists. Ode on Goddess Luo and Painting of Ode on Goddess Luo were the two masterpieces in all kinds of artistic works. This essay tries to study the relationship between Ode on Goddess Luo and Painting of Ode on Goddess Luo from the perspectives of aesthetic concept, aesthetic angle of view, aesthetic experience and the technique of aesthetic expression.