台湾女性散文的审美创造

Aesthetic Creation of Female Prose in Taiwan

台湾当代女性散文创作形成了四、五代代代相继的创作主体,也形成了由乡愁言说到性别抗争的主题演变轨迹。从书写感性散文到书写具有知性美特质的散文,从书写单纯的抒情散文到书写哲理散文、杂文和文化散文等所谓大散文,从书写个人感受的温婉审美风格转向具有粗粝豪放的阳刚之气的散文,台湾女性散文创作显示出独特的审美创造,充满创新意识。从审美的二重特性看,我们所感受到的台湾女性散文及其罗兰散文的“短小轻薄”现象,是其寻求突破、追求多样化的文学审美创造迹象,对于现代散文诗学建构具有重要的价值。

A review of contemporary female prose in Taiwan reveals an evolution of subjects from homesickness to feminist fighting. Moreover, women writers in Taiwan show their distinctive aesthetic creation and innovative awareness in their prose writing, which ranges from impressiveness to cognitive aesthetic quality, from pure expression of emotion to presentation of moral, from mild appreciation of personal experience to bold exhibition of rough masculinity. In terms of aesthetic duality, what seems ＂short and frivolous＂ in their prose are actually traces of their attempts for aesthetic creation of breakthrough and diversity in prose writing.