摘要
孙犁在20世纪40年代解放区的文学创作总体上呈现出一种明丽、向上的诗意风貌,表达出他对一个大时代的激情参与和诗意传达,凸显出一个应和时代脉动的战士作家形象。但他作为体制内主流作家的独特之处,在一定程度上或许源于他那宏大的时代想象并没有全然遮蔽言说主体的个人性。短篇小说《琴和箫》的感伤气质和作者对它的两度改写,是彰显孙犁作为个体与时代之间存有裂隙的症候。
Sun Li＇s liberated areas literature creation overall presents one kind brightly, upward poetic sentimental style in 1940s. It expresses a great time fervor participation, the poetic sentiment transmission and soldier writer image who highly supposes with the time pulsation. But as a system mainstream writer, his unique perhaps lies in his personality not completely defilade by the great time imagi- nation in the certain degree. From the sad makings in short story ＂Qin and Xiao＂ and its twice rewriting, we can discover a cranny between the individual and the time as a writer.
出处
《信阳师范学院学报（哲学社会科学版）》
2007年第1期14-17,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
《琴和箫》
孙犁
裂隙
症候
＂Qin and Xiao＂
SUN Li
cranny
symptom
