摘要
佛学是金圣叹诠释“才子书”的重要思想依据。本文试图通过对极微法的分析来透视金评中的佛学色彩,指出极微法的根本特点在于“色”与“空”、“有”与“无”的统一,并以此为原则去解读金评中一些基本的文法理论,由此反映出金圣叹小说评点背后的思维方式及哲学意蕴。
Jin Sheng-tan's Commentary Edition is based on Buddhism, which will be analyzed through Micro Critique in this paper. Micro critique (Paramanu), used by Jin Sheng-tan aimed to his novel commentary, comes from Buddhism, its main idea is everything have a dual character, that is "representation" and "empty". As a basic principle, micro critique run through Jin's rules of novel. Furthermore, Jin's way of thought and his philosophy idea are embodied through it.
出处
《湖北大学学报(哲学社会科学版)》
北大核心
2007年第1期72-76,共5页
Journal of Hubei University(Philosophy and Social Science)
关键词
金圣叹
极微法
那辗法
腰斩论
Jin Sheng-tan
Micro Critique
Rolling Critique
The Abridged edition